Latest News & Exhibitions
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White/Black Invitational
Group Exhibition
May 10 - June 22, 2019
Featured artists include:
Carl Chiarenza
Cut and Paste
Group Exhibition
April 5 - May 10, 2019
Opening Reception: Friday, April 5, 6-9pm
First Friday: May 3, 6-9pm Admission: $2/Free for members
Rochester Contemporary Art Center
(RoCo)
Rochester Contemporary Art Center (RoCo) will host the multi-faceted collage exhibition Cut & Paste. This exhibition will bring together collage-related work by a range of established artists, emerging artists, art groups, and collectives from across the United States and Internationally.
Interior/Exterior - Joint Exhibition
Exhibition of works by Carl Chiarenza & Roger Bruce
June 11 - August 11, 2018
Rochester Institute of Technology - University Gallery
James E. Booth Hall
Rochester, NY 14623
RECEPTION
Saturday, June 23, 2018
4:00 p.m. - 6:30 p.m.
Carl Chiarenza and Roger Bruce share a deep interest in the history and aesthetics of photography. Carl is a scholar, educator, and an established artist of major reputation. And it was only five years ago that Roger began to make photographs in earnest. Roger will tell you that he is a student and admirer of Carl’s work: “It is so pure. He’s an artist who makes images using photography’s most elemental assets.” And for Roger, after 45 years working in organizations that care for or interpret photographs, he was keen to be a “born again” image maker – but this time using the surprisingly precise yet fluid tools of digital production. Here in Interior/Exterior we see clearly contrasting work -- bound together in shared views and mutual respect.
GALLERY INFO
Monday - Friday: 9:00 a.m. - 5:00 p.m.
Saturday: 12:00 p.m. - 4:00 p.m.
585.475.2866
See Through: Windows and Mirrors in Twentieth-Century Photography
Group Exhibition including work by Carl Chiarenza
June 2 - SEPTEMBER 23, 2018
University of Michigan Museum of Art [UMMA]
525 South State Street
Ann Arbor 48109-1354
734.764.0395
See Through: Windows and Mirrors in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Carl Chiarenza, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.