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22 June 2016 – 5 February 2017
The University of North Carolina at Chapel Hill
101 S. Columbia Street
Chapel Hill, NC 27514
A series of three small-scale exhibitions using works from the Ackland’s permanent collection, Politics As Usual examines ways in which artists engage with the power structures of their times. Whether their stance is documentary, activist, or revisionist, the artists included demonstrate that concerns of the political have long been, and continue to be, fertile ground for art making.
Work from Chiarenza's "Peace Warriors" series is featured in this group exhibition.
May 25 – July 2, 2016
Alan Klotz Gallery
740 West End Avenue, Suite 52 | New York, NY 10025
Carl Chiarenza is a photographic renaissance man. He is first and foremost a terrifically inventive, and endlessly curious maker of photographic images. Garry Winogrand was fond of saying, when asked why he shot a particular scene, that "I wanted to see what that looked like photographed". There's a lot packed into that little zinger, about photography, representation, transformation, and the object that is the resulting photograph. Although it isn't always obvious, Carl is really a concrete kind of guy. He makes, and works from collages that he constructs from this and that, sometimes literally from garbage, and torn scraps. The act of photographing these collages, stimulates the artist's mind, first, while constructing them, then, while transforming them into a new object, the photograph, which refers grudgingly back to the objects of which they are reflections, (Chiarenza says he does not keep the collages. He throws them away... ashes to ashes, as it were), but now they are something else, something "other". They have become vessels containing wonder, and mystery. Einstein said, "One of the most beautiful things we can experience is the mysterious,.... It is the source of all true science and art. He who can no longer pause to wonder is as good as dead." Chiarenza doesn't just pause there... he lives there!
New Photography Acquisitions
February 9 – May 29, 2016
The Harry Ransom Center's photography collection is one of the world's largest and most comprehensive, and it is continually growing. Look Inside introduces nearly 200 of the Center's newest acquisitions, tracing photography from its unprecedented post-war expansion to its central position in contemporary art.
Look Inside features groundbreaking photographs by Carl Chiarenza, Thomas F. Barrow, Lee Friedlander, Betty Hahn, and Robert F. Heinecken, contemporary investigations into the medium by Marco Breuer, John Chiara, Alison Rossiter, and Penelope Umbrico, and extended documentary projects by Alejandro Cartagena, LaToya Ruby Frazier, Louie Palu, and Alec Soth.
Krannert Art Museum and Kinkead Pavilion
University of Illinois at Urbana Champaign
Main Level, East Gallery
August 28 through December 12, 2015
Attachment is a thematic collaboration among KAM curators and draws from most areas of the museum’s permanent collection along with a selective number of loans. Organized under five themes—appendages, supports, shadow bodies, accumulations, and refusals—the exhibition examines critical scenes of attachment to encompass material, affective, bodily, psychoanalytic, cultural, political, and institutional frames of reference.
Exhibiting artists include: Berenice Abbott, Conrad Bakker, Hans Bellmer, Louise Bourgeois, Michael Ray Charles, Carl Chiarenza, Willie Cole, Isabelle Cornaro, Walker Evans, Vernon Fisher, Frank Gallo, Jess, Vera Klement, Annette Lemieux, Danny Lyon, Bea Nettles, Melissa Pokorny, Fritz Scholder, Laurie Simmons, Lorna Simpson, Hedda Sterne, Kara Walker, Andy Warhol, David Wojnarowicz, and Purvis Young; along with selections from the museum’s African, Asian, ancient Peruvian, and decorative arts collections, including Marcel Proust’s 18th-century settee.